The deafblind poet knows reality only by touch, just like a snail. His slow haptic world of darkness and silence is as far removed from ordinary reality as life on an alien planet. However, this healing film does not represent existence in isolation and solitude as an oppressive existential drama, but as a lifelong therapy of darkness. Young-Chan does not reside on another planet - we are the ones who have distanced ourselves from within in an excess of visual and sound perceptions. A meditation on barriers and freedom cleanses the traces of civilization and opens the door to the elemental world of shapes, surfaces, movement, and the passage of time.